But I can think of something we didn’t end up doing. Q: Have you ever done something you weren’t proud of?Ī: No. There were a bunch of kids on the train, and they started chanting something about it-like “the booby bouncer, the booby bouncer!” or something. In fact, I have a friend who was in New York riding a train and there was an ad on the train that showed a picture of the bounce house. It’s like a kids’ bounce house, but inside it has breasts of different shapes and sizes.Ī: I think so. It’s a room of inflatable boobs.Ī: It’s maybe 15 by 15 inside. Q: Tell me about some of the other memorable things you’ve done.Ī: We built an inflatable bounce house for the Museum of Sex in New York. Then they lit them on fire or whatever to re-create what happened.Ī: Yeah, there was part of the show where if you paused it and squinted, you could see our work. Anyway, they look just like really big grocery bags and they are custom-fit into sections of the blimp. He hired us to make bags full of whatever material it is that they used to inflate the blimp, whatever it is that makes it float, I can’t think of it right now. He had this idea of doing three full-scale replicas of the Hindenburg. I got a call from a guy who had pitched a show to the History Channel or something. Q: What are some of the projects you’ve worked on?Ī: One of the first things I did was really just plain-Jane. If you can come up with a concept that’s inflatable, four containers is now one container. Q: I didn’t realize there was such a market for inflatable stuff.Ī: Well, for example, if you make something that uses trusses and scaffolding, you have to load it up and take with you, and it can take, say, four containers. I always try to get a rudimentary drawing from the client though, even if it’s just a really rough sketch. So I am good at helping figure out how to make what people want. And my family have always been makers my mom is a costume designer, my dad a woodworker. I knew how to draw - I took basic architectural drawing in high school. And we’re there too.Ī: People call in, and they have these ideas, and when I first started we did a lot of mud runs, like a pool, ramp, a slide, things to crawl up and under. If you had a shopping list of everything you needed to build Disney World, you could get it there. Like cotton candy sales, Coke sales, people who will set up a full petting zoo at your location… There’s another tradeshow in November in Orlando called IAAPA - like International Association of Amusement Park something or other… It’s full of people who sell things that can go in an amusement park. Once a year all the carnies from across the country come together there to buy their equipment. It’s in something like Gibsonton, Florida. We do go to these tradeshows - one coming up is called Gibtown. We have daily marketing meetings to try to figure that out. There’s an aperture at the bottom and with the right amount of air coming in and going out, it’s a really comfortable landing.Ī: That’s a good question. People picture just a giant bag of air, but the inventor of our airbag came up with this design that’s like a bunch of inflatable pillars, and when you land on it, it’s like a bunch of shock absorbers. He used to be a trapeze artist and after getting hurt, he set his mind to coming up with a better way to fall. We also make giant things for Comic Cons, we make obstacles for Ninja warriors courses and that kind of thing…Īt one point we met the owner of the airbag patent - the guy who invented the type of airbags we use. Like for concerts, we’ll make a giant whiskey or beer bottle. They asked me to head up the custom department. Q: Do you remember when you first started?Ī: Yes. Q: Is there a lot of demand for custom airbags?Ī: More than I’d originally thought there’d be!Īll around the country, people set up fairs for schools, churches, counties, and they all want inflatable things that you can jump into. A: I work for a manufacturer who makes custom-made airbags and inflatables.
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